Natalie Frank: Unbound

Kemper Museum of Contemporary Art, Kansas City, MO 

Natalie Frank: Unbound was the first survey exhibition of Brooklyn, New York-based artist Natalie Frank’s (American, born 1980) drawings inspired by some of the best-known and most controversial literary narratives. Spanning a decade of Frank’s feminist drawing practice, Unbound presented work from the artist’s four major drawing series, each of which is the result of Frank’s rigorous research. 

In Tales of the Brothers Grimm (2011–14), Frank presents the unvarnished original nineteenth century versions of these tales as images that celebrate female agency by elevating heroines and villainesses alike. Expanding on the history of illustrated books, figurative painting, and personal and political narrative, Frank’s drawings comprise the largest collection of Grimm’s fairy tales ever portrayed by an artist. With her characteristically fluid gestural marks, Frank adds visual drama to tales of revolt and transformation in her black-and-white gouache-on-paper drawings that represent key scenes from Jack Zipes’s anthology The Sorcerer’s Apprentice (2017). In a suite of gouache and chalk pastel drawings, Frank reclaims the feminist Story of O (2017–18) and gives image to the psychosexual narratives of the book’s key scenes. In masterfully carnal compositions, she depicts O, the female protagonist, consensually engaging in scenarios of physical submission, domination, love, lust, and sexual freedom. This series deepens Frank’s exploration into intertwined representations of identity and desire, laying bare the power structures and practices surrounding the complicated sexuality of female bodies. 

Finally, Frank’s drawings of Madame d’Aulnoy’s (2019–20) shrewd heroines are anything but conventional. She presents the author’s fantastical stories through a complex layering of color, form, material, and gesture. Frank’s visual contradictions—combinations of abstraction and figuration—parallel d’Aulnoy’s female protagonists, who, by embodying both evil and virtuosity, present a nuanced understanding of female identity.  

Natalie Frank: Unbound was organized by Madison Museum of Contemporary Art (MMoCA) and Kemper Museum and co-curated by Leah Kolb, former curator of exhibitions at MMoCA and Erin Dziedzic, former director of curatorial affairs at Kemper Museum.